Underneath my palm
your silvered scalp
brittle goose egg
container of all our days
under my fingers our childhoods
skip
hopscotch on the chalked driveway
squeals in the kitchen where you played magician.
Everyday I met you at the door
climbed on your lap to smell
the smoke in your jacket
pressed my cheek to your chest
to hear where laughter springs.
Beloved now I fit you in my palm
like a cap feel you quiver
fragile white and ticking.
Julie Watts (Western Australia)
First published in Poems 2013, Volume 2 of the Australian Poetry Ltd Members' Anthology, Australian Poetry 2013
2014/07/24
Easter Sunday
and we find him in his bed
a rug pulled to his chin
slippers toppled Pisas
eyes crusty and weeping.
We soothe them with drops
ask for hearing aids
and through the high-pitched whistling
weave our questions.
I hold a chocolate chalice
break off pieces place the wafers
on his tongue his mouth closing over
oh, such sweet grace
and he gives thanks to all the angels
and saints the hovering
holograms at his bed
and asks for more
a pilgrim stripped
to sensory purity caught
in sacramental rewind.
The cocoa suns are melting
their slipped light throbs through
stagnant blood
piece by piece the chalice transmuting.
Out of the hive of his sticky
mouth striped bees are a tumble
of words alighting on our stamen faces.
Easter Sunday and he has entered the room.
Julie Watts (Western Australia)
First published in Julie’s book Honey & Hemlock, Sunline Press 2013.
a rug pulled to his chin
slippers toppled Pisas
eyes crusty and weeping.
We soothe them with drops
ask for hearing aids
and through the high-pitched whistling
weave our questions.
I hold a chocolate chalice
break off pieces place the wafers
on his tongue his mouth closing over
oh, such sweet grace
and he gives thanks to all the angels
and saints the hovering
holograms at his bed
and asks for more
a pilgrim stripped
to sensory purity caught
in sacramental rewind.
The cocoa suns are melting
their slipped light throbs through
stagnant blood
piece by piece the chalice transmuting.
Out of the hive of his sticky
mouth striped bees are a tumble
of words alighting on our stamen faces.
Easter Sunday and he has entered the room.
Julie Watts (Western Australia)
First published in Julie’s book Honey & Hemlock, Sunline Press 2013.
O mio babbino caro
The final betrayal is done
mixed and given
with blood and milk
honey and hemlock.
The old bird, our father
tipped from his crumbling nest
into the clinical crooks
of strangers
his lucid thoughts
dosed with our vagueness
his wandering ones gathered
and tied in a bow for the vase.
But truth hangs in the room
stark and dripping
bloodied haloes
above all our heads.
Oh our beloved father
let us play Puccini for you
while we taint your spoon
with their gruel.
Julie Watts (Western Australia)
First published in Julie’s book Honey & Hemlock, Sunline Press 2013.
mixed and given
with blood and milk
honey and hemlock.
The old bird, our father
tipped from his crumbling nest
into the clinical crooks
of strangers
his lucid thoughts
dosed with our vagueness
his wandering ones gathered
and tied in a bow for the vase.
But truth hangs in the room
stark and dripping
bloodied haloes
above all our heads.
Oh our beloved father
let us play Puccini for you
while we taint your spoon
with their gruel.
Julie Watts (Western Australia)
First published in Julie’s book Honey & Hemlock, Sunline Press 2013.
Somewhere a crow is mourning
somewhere a crow is mourning
black about his shoulders
as he grieves
yesterday in numbing traffic
his mate was struck
head crushed
wing punched
flung to hot bitumen
by late-day speed
plucked out of her
brief tree
her coupledom
while he hopped round
her fluttering
and stayed when she was
still
that bird — once weaving air
and gathering earth
now a smear on tar
and somewhere a crow is mourning
black about his shoulders
as he grieves.
Julie Watts (Western Australia)
First published in Julie’s book Honey & Hemlock, Sunline Press 2013.
black about his shoulders
as he grieves
yesterday in numbing traffic
his mate was struck
head crushed
wing punched
flung to hot bitumen
by late-day speed
plucked out of her
brief tree
her coupledom
while he hopped round
her fluttering
and stayed when she was
still
that bird — once weaving air
and gathering earth
now a smear on tar
and somewhere a crow is mourning
black about his shoulders
as he grieves.
Julie Watts (Western Australia)
First published in Julie’s book Honey & Hemlock, Sunline Press 2013.
A glut of bliss
She is in a glut of bliss —
her purring permeates the house
with primal incantations.
We follow the guttural chant
discover her rapturous
in the hallway cupboard.
Flat on her back
chapel up to an unseen sun
she is a temple of spouting teats
leaking ancient light for bobbing
mouths.
The kittens stumble blind
and mewing criss-cross her studded
belly divining for a spring.
It is raining manna
in that cramped space
and we speak in whispers
that come out like prayers.
She looks at me
this is enough enough
her eyes sated discs closing
to keep the pleasure in.
Julie Watts (Western Australia)
First published in Julie’s book Honey & Hemlock, Sunline Press 2013.
her purring permeates the house
with primal incantations.
We follow the guttural chant
discover her rapturous
in the hallway cupboard.
Flat on her back
chapel up to an unseen sun
she is a temple of spouting teats
leaking ancient light for bobbing
mouths.
The kittens stumble blind
and mewing criss-cross her studded
belly divining for a spring.
It is raining manna
in that cramped space
and we speak in whispers
that come out like prayers.
She looks at me
this is enough enough
her eyes sated discs closing
to keep the pleasure in.
Julie Watts (Western Australia)
First published in Julie’s book Honey & Hemlock, Sunline Press 2013.
Post-coital music
Deep in the night
midnight black on the blinds
I make my baby sing.
With his head tucked
under my chin
the long bow of his back
an up-turned boat
he is shipwrecked in my arms
and full of moans.
Across the ribbed cello
of his hull
my fingers fly
high and light as seabirds
landing
the timbre and the hollow
groaning out his song.
My fingers pluck his strings
and he cannot stop the singing
of his skin.
In the blue-black bruise of night
the bones of his back vibrate
and fill the rolling shadows
with whale song.
Julie Watts (Western Australia)
First published in Australian Love Poems, Inkerman & Blunt 2013.
midnight black on the blinds
I make my baby sing.
With his head tucked
under my chin
the long bow of his back
an up-turned boat
he is shipwrecked in my arms
and full of moans.
Across the ribbed cello
of his hull
my fingers fly
high and light as seabirds
landing
the timbre and the hollow
groaning out his song.
My fingers pluck his strings
and he cannot stop the singing
of his skin.
In the blue-black bruise of night
the bones of his back vibrate
and fill the rolling shadows
with whale song.
Julie Watts (Western Australia)
First published in Australian Love Poems, Inkerman & Blunt 2013.
2014/07/17
Semper vivum
Green little bodies, green little eyes.
Dead little snails. Dirt under nails.
Blue little buckets, blue little skies.
Dying little whales. Lying tattletales.
Red little princess, red little thighs.
Poison chemtrails. Strong ship, torn sails.
White, stained covers. White little lies.
Going off the rails. Overflowing jails.
L Parsons (15) (Queensland)
Dead little snails. Dirt under nails.
Blue little buckets, blue little skies.
Dying little whales. Lying tattletales.
Red little princess, red little thighs.
Poison chemtrails. Strong ship, torn sails.
White, stained covers. White little lies.
Going off the rails. Overflowing jails.
L Parsons (15) (Queensland)
2014/07/07
Yaka Yaka
Endless troopie hours
between craters and dunes;
there was no need to speak.
We pull up at what’s left of a town.
He in the Wu Tang Clan gear
and red, yellow and black bandana
shows me where his nephew hung
himself from a playground crossbeam
after too many sniffing hours.
Wind from battered pink plains
brings blanketing dust, heat,
a wave of Painted Finches.
Lorne Johnson (NSW)
between craters and dunes;
there was no need to speak.
We pull up at what’s left of a town.
He in the Wu Tang Clan gear
and red, yellow and black bandana
shows me where his nephew hung
himself from a playground crossbeam
after too many sniffing hours.
Wind from battered pink plains
brings blanketing dust, heat,
a wave of Painted Finches.
Lorne Johnson (NSW)
Lake Gregory
By the blinding
salt-pool
three brothers
fresh out of a Broome lockup
down XXXX and stare through
weed-haze
at three brolgas
beginning their
final dance.
Lorne Johnson (New South Wales)
‘XXXX’, pronounced ‘four-ex’, is an Australian brand of beer.
salt-pool
three brothers
fresh out of a Broome lockup
down XXXX and stare through
weed-haze
at three brolgas
beginning their
final dance.
Lorne Johnson (New South Wales)
‘XXXX’, pronounced ‘four-ex’, is an Australian brand of beer.
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