Here lies Liz
she’s tired
Here lies Liz
she’s lazy
Here lies Liz
this is fiction
Here lies Liz
truth untenable
Here lies Liz
overworked
Here lies Liz
earning her keep
Here lies Liz
unable to get up
Here lies Liz
like roadkill
Here lies Liz
told to keep still
Here lies Liz
too scared to move
Here lies Liz
accommodating a man
Here lies Liz
in silence
Here lies Liz
a snack for wild dogs
Here lies Liz
cold and hog-tied
Here lies Liz
grisly find for joggers
Here lies Liz
aka jane doe
Here lies Liz
on an autopsy slab
Here lies Liz
not donor material
Here lies liz
In bits in bags
weighed, examined,
& here lies Liz
cut and sliced,
& here lies Liz
labelled, numbered
Here lies Liz
dead (assuming she once lived)
Here lies Liz
safer in a long box
Here lies Liz
burning again
Here lies Liz
in the
crematorium
niche
another
hole
in a
wall.
Kathryn Yuen (New South Wales)
2013/11/21
2013/11/07
the hush
it's just that, yeah, the hush, the trigonometry
of because, but, no, not always logic but yeah,
art hankers for its hit of white and, yeah,
course, just sluice away, do your forgetting
in private 'cos no, this is a wide road for
thin thinks and, yeah(!), should've done the leaving
of blues to greens to reds, the yoga breathing,
but no, there is no polite retreat here — the
traffic of fraud is in flow and yeah,
absolutely, s'all done with ramps and cuisinere
rods and rote learning and you, yes you with
your good ears and air traffic controlled angst,
no, you can't buy the hiss of liquid nitrogen on
skin, can't buy it, nah, can’t buy the hush
Kevin Gillam (Western Australia)
of because, but, no, not always logic but yeah,
art hankers for its hit of white and, yeah,
course, just sluice away, do your forgetting
in private 'cos no, this is a wide road for
thin thinks and, yeah(!), should've done the leaving
of blues to greens to reds, the yoga breathing,
but no, there is no polite retreat here — the
traffic of fraud is in flow and yeah,
absolutely, s'all done with ramps and cuisinere
rods and rote learning and you, yes you with
your good ears and air traffic controlled angst,
no, you can't buy the hiss of liquid nitrogen on
skin, can't buy it, nah, can’t buy the hush
Kevin Gillam (Western Australia)
Last of her Lashes
I
The last of her lashes falls out,
curved in her palm —
a closed bracket.
When her daughter asks
Where have your eyelashes gone?
She replies They've flown south
for the winter.
II
Which wig to wear today?
The Angelina Jolie? The Marilyn Monroe?
She picks one with long, flowing tresses,
feels like Lady Godiva.
And as with that famous horsewoman
the crowd look away
the moment she passes by.
III
She's read the Navajo Indians
never cut their hair
believing their thoughts
preserved in the strands.
She touches her scalp;
like a freshly sown lawn —
a crop of new memories sprouts.
Marianne Musgrove (South Australia)
The last of her lashes falls out,
curved in her palm —
a closed bracket.
When her daughter asks
Where have your eyelashes gone?
She replies They've flown south
for the winter.
II
Which wig to wear today?
The Angelina Jolie? The Marilyn Monroe?
She picks one with long, flowing tresses,
feels like Lady Godiva.
And as with that famous horsewoman
the crowd look away
the moment she passes by.
III
She's read the Navajo Indians
never cut their hair
believing their thoughts
preserved in the strands.
She touches her scalp;
like a freshly sown lawn —
a crop of new memories sprouts.
Marianne Musgrove (South Australia)
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