Here lies Liz
she’s tired
Here lies Liz
she’s lazy
Here lies Liz
this is fiction
Here lies Liz
truth untenable
Here lies Liz
overworked
Here lies Liz
earning her keep
Here lies Liz
unable to get up
Here lies Liz
like roadkill
Here lies Liz
told to keep still
Here lies Liz
too scared to move
Here lies Liz
accommodating a man
Here lies Liz
in silence
Here lies Liz
a snack for wild dogs
Here lies Liz
cold and hog-tied
Here lies Liz
grisly find for joggers
Here lies Liz
aka jane doe
Here lies Liz
on an autopsy slab
Here lies Liz
not donor material
Here lies liz
In bits in bags
weighed, examined,
& here lies Liz
cut and sliced,
& here lies Liz
labelled, numbered
Here lies Liz
dead (assuming she once lived)
Here lies Liz
safer in a long box
Here lies Liz
burning again
Here lies Liz
in the
crematorium
niche
another
hole
in a
wall.
Kathryn Yuen (New South Wales)
2013/11/21
2013/11/07
the hush
it's just that, yeah, the hush, the trigonometry
of because, but, no, not always logic but yeah,
art hankers for its hit of white and, yeah,
course, just sluice away, do your forgetting
in private 'cos no, this is a wide road for
thin thinks and, yeah(!), should've done the leaving
of blues to greens to reds, the yoga breathing,
but no, there is no polite retreat here — the
traffic of fraud is in flow and yeah,
absolutely, s'all done with ramps and cuisinere
rods and rote learning and you, yes you with
your good ears and air traffic controlled angst,
no, you can't buy the hiss of liquid nitrogen on
skin, can't buy it, nah, can’t buy the hush
Kevin Gillam (Western Australia)
of because, but, no, not always logic but yeah,
art hankers for its hit of white and, yeah,
course, just sluice away, do your forgetting
in private 'cos no, this is a wide road for
thin thinks and, yeah(!), should've done the leaving
of blues to greens to reds, the yoga breathing,
but no, there is no polite retreat here — the
traffic of fraud is in flow and yeah,
absolutely, s'all done with ramps and cuisinere
rods and rote learning and you, yes you with
your good ears and air traffic controlled angst,
no, you can't buy the hiss of liquid nitrogen on
skin, can't buy it, nah, can’t buy the hush
Kevin Gillam (Western Australia)
Last of her Lashes
I
The last of her lashes falls out,
curved in her palm —
a closed bracket.
When her daughter asks
Where have your eyelashes gone?
She replies They've flown south
for the winter.
II
Which wig to wear today?
The Angelina Jolie? The Marilyn Monroe?
She picks one with long, flowing tresses,
feels like Lady Godiva.
And as with that famous horsewoman
the crowd look away
the moment she passes by.
III
She's read the Navajo Indians
never cut their hair
believing their thoughts
preserved in the strands.
She touches her scalp;
like a freshly sown lawn —
a crop of new memories sprouts.
Marianne Musgrove (South Australia)
The last of her lashes falls out,
curved in her palm —
a closed bracket.
When her daughter asks
Where have your eyelashes gone?
She replies They've flown south
for the winter.
II
Which wig to wear today?
The Angelina Jolie? The Marilyn Monroe?
She picks one with long, flowing tresses,
feels like Lady Godiva.
And as with that famous horsewoman
the crowd look away
the moment she passes by.
III
She's read the Navajo Indians
never cut their hair
believing their thoughts
preserved in the strands.
She touches her scalp;
like a freshly sown lawn —
a crop of new memories sprouts.
Marianne Musgrove (South Australia)
2013/10/24
my legato heart
the cello soars
as we glide upwards
along the road
cut deep into
sandstone cliffs
afternoon sun
warms my hand
resting
on your knee —
the rubato section
violins
float in —
we descend
the curving ridge
of mount white
the cadenza —
vibrating strings surge
we turn the last bend
your smile caresses
my legato heart
Julie Thorndyke (New South Wales)
First published in USYD student anthology
as we glide upwards
along the road
cut deep into
sandstone cliffs
afternoon sun
warms my hand
resting
on your knee —
the rubato section
violins
float in —
we descend
the curving ridge
of mount white
the cadenza —
vibrating strings surge
we turn the last bend
your smile caresses
my legato heart
Julie Thorndyke (New South Wales)
First published in USYD student anthology
apoggiatura
on a grey day
she walks from the station
and folds her dry raincoat
onto my stool —
I will sit taller at the piano
birdlike, this examiner
doesn't sit to listen
but hovers —
turning pages and pointing out
features of the music
next time
she conducts my exam
I must play her own sonatina —
she hurries me on
to the Chopin
a song written
on the train near Ashfield
says her note
… I hope someone else
still knows the tune
metal trunks full of paper —
so many melodies
hidden away
For Miriam Hyde 1913 – 2005
Julie Thorndyke (New South Wales)
First published in Yellow Moon
Also published in Women's Work
she walks from the station
and folds her dry raincoat
onto my stool —
I will sit taller at the piano
birdlike, this examiner
doesn't sit to listen
but hovers —
turning pages and pointing out
features of the music
next time
she conducts my exam
I must play her own sonatina —
she hurries me on
to the Chopin
a song written
on the train near Ashfield
says her note
… I hope someone else
still knows the tune
metal trunks full of paper —
so many melodies
hidden away
For Miriam Hyde 1913 – 2005
Julie Thorndyke (New South Wales)
First published in Yellow Moon
Also published in Women's Work
Twenty-eight squares
Never been
much of a knitter,
but this winter, driven
by sorrow and hopelessness
I resolve to knit squares,
twenty-eight garter stitch boxes
to calm my head and occupy my hands
with yarn and needles, repetition
like a prayer wheel as I worry
about the ones I love, and at the same time
create a little bit of warmth
to offer a stranger, and hope
that my awkward stitches
will not be spurned.
Julie Thorndyke (New South Wales)
much of a knitter,
but this winter, driven
by sorrow and hopelessness
I resolve to knit squares,
twenty-eight garter stitch boxes
to calm my head and occupy my hands
with yarn and needles, repetition
like a prayer wheel as I worry
about the ones I love, and at the same time
create a little bit of warmth
to offer a stranger, and hope
that my awkward stitches
will not be spurned.
Julie Thorndyke (New South Wales)
Adam's Rib
under his thumb
let him think
he has won
knit two, purl two
another day
she plays for time
he gets his way
purl two, knit two
children share
but he wants all
can she dare
knit two, purl two
ticket bought
her day has come
time to run
purl two, knit two
on the stair
the game is up
she’s missed a stitch
he’s waiting there
no time left
for casting off
she is
unpicked
Julie Thorndyke (New South Wales)
let him think
he has won
knit two, purl two
another day
she plays for time
he gets his way
purl two, knit two
children share
but he wants all
can she dare
knit two, purl two
ticket bought
her day has come
time to run
purl two, knit two
on the stair
the game is up
she’s missed a stitch
he’s waiting there
no time left
for casting off
she is
unpicked
Julie Thorndyke (New South Wales)
That Undiscovered Country
Inside the pages
of every novel I ever saw you
sink into; every book whose tortured paths
I travelled, whose country lanes I meandered,
whose highways I traversed in dubious company
inside each book we read, separately,
sequentially, sometimes by recommendation
sometimes serendipity, we entered
undiscovered countries
of time, place, plot and character,
meeting old friends and new, finding
soul mates, escaping villains, hoping
for a final verdict that would dispense
justice with a masterly hand.
We met ourselves there.
I do not fear for you, my friend,
gone ahead into that last undiscovered country,
the book cover closed forever
behind you.
Julie Thorndyke (New South Wales)
of every novel I ever saw you
sink into; every book whose tortured paths
I travelled, whose country lanes I meandered,
whose highways I traversed in dubious company
inside each book we read, separately,
sequentially, sometimes by recommendation
sometimes serendipity, we entered
undiscovered countries
of time, place, plot and character,
meeting old friends and new, finding
soul mates, escaping villains, hoping
for a final verdict that would dispense
justice with a masterly hand.
We met ourselves there.
I do not fear for you, my friend,
gone ahead into that last undiscovered country,
the book cover closed forever
behind you.
Julie Thorndyke (New South Wales)
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