Young men cry in the desert
surf waves of silver bullets,
shed mother's apple crumble
school scars siblings' bites,
swap smoky jokes as they drift
sand-like into men.
Sue Clennell (Western Australia)
First published by Speedpoets
2015/03/19
2015/03/02
Marry the rain
I could marry the rain
as the breeze curvets
as the day burns down
as the grass dreams stone.
I could marry the rain
in its high heeled days
in its runes and bells
in its wishbone light.
I could marry the rain
with its love of green
with its filigree
with its eggshell shine.
I could marry the rain
match its cyclic swell
match its froggish cup
match its constancy.
Jan Napier (Western Australia)
First published in dotdotdash
as the breeze curvets
as the day burns down
as the grass dreams stone.
I could marry the rain
in its high heeled days
in its runes and bells
in its wishbone light.
I could marry the rain
with its love of green
with its filigree
with its eggshell shine.
I could marry the rain
match its cyclic swell
match its froggish cup
match its constancy.
Jan Napier (Western Australia)
First published in dotdotdash
2015/02/18
Old Building
In this stairwell
light is water
pouring from a glass Niagara
sheening down handrails
into a boxy valley
it cascades
around shadows
splashes off posts
and doorknobs
spills across a landing
I tread lightly here
keep shoes dry
on the dark non-slip
of days
enter sub-surface
filtering ripples
from a vaulted ceiling
down there
are dark rooms
their dry secrets
Dick Alderson (Western Australia)
From The Astronomer's Wife (Sunline Press 2014)
light is water
pouring from a glass Niagara
sheening down handrails
into a boxy valley
it cascades
around shadows
splashes off posts
and doorknobs
spills across a landing
I tread lightly here
keep shoes dry
on the dark non-slip
of days
enter sub-surface
filtering ripples
from a vaulted ceiling
down there
are dark rooms
their dry secrets
Dick Alderson (Western Australia)
From The Astronomer's Wife (Sunline Press 2014)
Skein
Sometimes she would ask one of us
to help, to hold up a skein
while she wound the wool into a ball
we’d sit facing each other
on two chairs in the kitchen
our child-hands held towards her
in an almost embrace, the wool
passing between us like a gift
she had given us to give back to her
holding one of her boys still for a moment
while she took the soft thread.
Dick Alderson (Western Australia)
First published in Westerly
to help, to hold up a skein
while she wound the wool into a ball
we’d sit facing each other
on two chairs in the kitchen
our child-hands held towards her
in an almost embrace, the wool
passing between us like a gift
she had given us to give back to her
holding one of her boys still for a moment
while she took the soft thread.
Dick Alderson (Western Australia)
First published in Westerly
That camera
tight strap, long face
black leatherette
smelling of Kodak
we would ease the lever
with a thumbnail
until it snipped
a thousand times
the shards of light
loving the darkness in there
what a treasure.
But what now to do
with all those pieces
that dark box
Dick Alderson (Western Australia)
From The Astronomer's Wife (Sunline Press 2014)
black leatherette
smelling of Kodak
we would ease the lever
with a thumbnail
until it snipped
a thousand times
the shards of light
loving the darkness in there
what a treasure.
But what now to do
with all those pieces
that dark box
Dick Alderson (Western Australia)
From The Astronomer's Wife (Sunline Press 2014)
Watching a Fire
There is something of self in a fire
the hesitant start, equivocation
then taking hold, a familiar reek
of match and firelighter seeming
older than fire itself, something
you watched elders do
but once it’s going,
the glass door closed
to a muted purring
it is the tiger’s eye which fixes you
flickering your face —
a fascination with
being consumed
Dick Alderson (Western Australia)
the hesitant start, equivocation
then taking hold, a familiar reek
of match and firelighter seeming
older than fire itself, something
you watched elders do
but once it’s going,
the glass door closed
to a muted purring
it is the tiger’s eye which fixes you
flickering your face —
a fascination with
being consumed
Dick Alderson (Western Australia)
My Voice on Tape
how it changes
when it’s up in my throat
it keeps me safe, guarding the entrance
and I sound like I’m keeping safe
some sort of mill grinding out
a voice
when I let it come down
it lives in my belly
knows what to do with all those
pipes and strings
someone I could get to like
might talk to
Dick Alderson (Western Australia)
when it’s up in my throat
it keeps me safe, guarding the entrance
and I sound like I’m keeping safe
some sort of mill grinding out
a voice
when I let it come down
it lives in my belly
knows what to do with all those
pipes and strings
someone I could get to like
might talk to
Dick Alderson (Western Australia)
2015/01/22
Witness
how many times
has she seen him
whittle the child
down to size
it never harmed me
the father says
using the knife to cut out
the curious knot in the wood
slit the vein of red pare back
pale new growth
shaves his hair to the scalp
the child sticks out
his chin grits his teeth
keeps the pirate costume
on all the time
sword at the ready
at night he sucks his thumb
cries out
Annette Mullumby (Western Australia)
has she seen him
whittle the child
down to size
it never harmed me
the father says
using the knife to cut out
the curious knot in the wood
slit the vein of red pare back
pale new growth
shaves his hair to the scalp
the child sticks out
his chin grits his teeth
keeps the pirate costume
on all the time
sword at the ready
at night he sucks his thumb
cries out
Annette Mullumby (Western Australia)
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